 |
| Magnificat cast performing the last song of the play. |
The ways of evangelization is evolving, and one college in Davao City dares to bring onstage the Gospel through music and dances.
Through the musical
play billed as Magnificat: Joy of an Encounter, the Gabriel Taborin
College of Davao (GTCD) in Barangay Lasang put onstage the ensemble of
more than 60 students to be Gospel characters, choir members and dancers
to a theatrical performance that revolves on the central theme of
faith.
 |
| Bishop Emeritus Fernando R. Capalla express his admiration to the play. |
This was how Bishop Emeritus Fernando R. Capalla described the musical in his short message at the end of the play.
Capalla said the messages of love, forgiveness and faith were clearly delivered in every portrayal, which brought him to tears.
“The musical play was
the contribution of GTCD in the closing activities of the Catholic
Church’s universal celebration of the Year of Faith,” said Executive
Director Bro. Davide del Barba, FSF.
 |
| Mary, sings Magnificat Anima Mea Domonum |
Inspired by Mary’s
canticle (Luke 1:46-55), the musical was originally in Italian language
borne from a summer workshop of the Brothers of the Holy Family in the
early 1980s. In 2003 the first English version was staged in the
Philippines through the efforts of Bro. Davide del Barba, who is also
the musical director of the play.
After 10 years, the
English version was revived, now aligned to the Year of Faith
celebration and in time also for the 150th death anniversary of Bro.
Gabriel Taborin, the founder of the Brothers of the Holy Family.
The play opened with
the solemn rendition of “Credo Domini,” the Year of Faith’s official
hymn as Cavanis Fr. Arman Bacalso led the renewal of vows of baptism.
The musical, which run for one-hour and 30 minutes, portrayed the
characters in the Gospel who are the source of inspiration and examples
that exemplify faith.
 |
| The Samaritan Woman |
The teacher of the law
Nicodemus came to see Jesus at night in secret so he could not be seen
by the crowd talking to Jesus. In the meeting, Jesus has taught
Nicodemus that he should be reborn in spirit and become a child to enter
the Kingdom of God. The scene posted the strong challenge of renewal.
 |
| The Adulteress |
Jesus’s healing of the
blind man Barthimeus was symbolic of how the people are blinded in many
ways, and that it is the man’s faith that heals himself. While the
story of the adulteress, who was condemned by the public, evokes
forgiveness.
 |
| Peter |
And ultimately, the
model of faith, the story of Mary as she praised God singing Magnificat
anima mea Dominum (My Soul Magnifies the Lord), where Mary proclaims the
Lord’s greatness with humility and grace. The song connected to
audience well that one could feel praising God with the song.
 |
| Resurrection Scene |
The whole story was
stitched together with the character of the present-time teacher who met
Gabriel, the institute’s founder, and how they relate the story of the
Gospel into the present situations of the community of faithful.
The enthusiastic
response of the audience motivated the Brothers to have a repeat
performance on November 29 for a humanitarian cause. Proceeds of the
ticket sales will entirely go to the victims of Supertyphoon Yolanda.
“We are happy and
proud of what we have produced,” del Barba said. “Convinced that this
form of new evangelization through music and dances is a powerful way of
conveying Jesus’s message to the new generation,” he added.
The Brothers of the Holy Family dubbed themselves as educators of the youth since 1835.
 |
| The Cast and production crew acknowledge the applause of the audience. |
